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2009-10-19 18:18:17

There's something pretty magical about watching somebody who's about the best there is in their chosen field of endeavor do their thing. Whether we're talking about athletics, performance, magic, painting, dance or comic book artwork, the elegance of a person working with that degree of aptitude is something extraordinary to behold. In any creative medium, there are (and I don't mean to make them sound trivial with this next bit; I well realize how much talent and dedication it takes to operate on a professional level in any of these fields) dozens of run-of-the-mill talents; guys that are extremely good, but don't reset the bar. And then, there are those rare people who take things to the next level, whose command of what they do opens up whole new avenues of possibility. People who reset the game.

For all that I like such concepts in my fiction, I'm not one to believe in predetermination, or destiny. And yet, there is that feeling that there are people who are simply supposed to be doing a specific thing, because they're so natural at it, because they excel at it. I feel like I've made the most of my meager talents, and I'm pretty good at what I do-but I don't operate at a fraction of the level that these sorts of prodigies do. It at once makes them astonishing and frustrating, since it always feels like I should be capable of better, and it should be easier. That these skills are only developed after years of dedicated practice and study doesn't change the feeling that it all looks so effortless.

And it remains a joy to see pages come in from one of those rare talents, especially in their formative stages. With the easy access of the internet and the fact that almost every book is previewed in one unfinished form or another, it's a pleasure that even folks outside the business can experience to a limited degree. And it's even more incredible to be able to  stand there and watch one of these virtuoso artists draw in front of you.

No real point to this outside of these observations-just thought it was worth reiterating, because it's very easy after so many years to take these situations for granted.

More later.

Tom B

 

I know what you are saying. I love it when I buy a book because I know the writer or artist is going to make it great, but still astounded at how amazing it is. I think CAP REBORN is one of those books for me (that I can think of readily). It's like, I knew what to expect of Hitch from ULTIMATES and Brubaker from the rest of the CAP run, but I am still just blown away by that book every page! Like it almost hinders the reading process because I just sit and stare at the panels. And then in MARVELS PROJECT, when (SPOILERS) Steel wakes up form WWI in the middle of WWII... what an amazing concept! You guys are doing a great job, and I always look forward to Brevoort books.

I Believoort!

Posted by kyle-latino on 2009-10-19 21:44:54
Double Sized
Hi Tom,

I know this is majorly tangential to what you've posted above, but I'm seeing the advance solicits coming out at the moment, and I've got a quick question.

Why do comics publishers (and Marvel isn't alone in this) advertise certain issues as "Double Sized" when clearly they are not? It's been happening for at least the 30 odd years that I've collected comics for.

Simply put when you look at the maths, a "normal" issue is usually 32 pages, including 22 pages of story. Whereas an advertised "Double Sized" issue is often 48 pages, sometimes with 38 pages of story, but often even 36 or 34 pages of story.

Do you know of any publishing history as to why this is the case? (I remember when 64 page Marvel Annuals were advertised as triple sized books too)

Posted by keense on 2009-10-19 22:17:43
And here I thought this was going to be about spreadsheets.

Posted by raycornwall on 2009-10-20 12:38:49
I know exactly what you mean on watching these brilliant talents draw in front of you - it baffles me when I see fans abandon artists with their sketchpads at cons so they can run off and scour the back issue bins or whatever it is they do while they draw.

Posted by Fetsur on 2009-10-20 12:40:06
That's exactly the first thing that came to my mind as well, raycornwall.

Posted by doncorswhazie on 2009-10-20 14:07:33
In response to Fetsur,

I'd happily stand there watching them sketch and watchin them create before my eyes, but I can only stand for about 2 or 3 minutes before I feel like a creepy stalker.

Posted by IanZL on 2009-10-21 15:14:57
Enhancement
The issue you speak of is enhancment...a ratio of H1 so to speak or the ionic bond. To an artist like you speak of I would think that it just isn't really about the output at all. I hope that last sentence can help you out Tom to make the world a better place.

Posted by Sentinelxy on 2009-10-23 12:05:34
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About this blog:
Ramblings and musings from the mind of Tom Brevoort. "It won’t be clean. It won’t be fun. It mostly won’t be coherent."

About the author:
Tom Brevoort is Executive Editor for Marvel Comics, and oversees such titles as New Avengers, Civil War, and Fantastic Four.
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