Continuing another stroll down memory lane, to look at the comics and paraphernalia that made me a Marvel reader.
The STERANKO HISTORY OF COMICS was a proposed six-volume set written and produced by famed Marvel artist Jim Steranko, of which only two volumes were ever completed. As both a fan of the material and the era and as a working industry professional, Steranko had the resources to track down and interview many of the writers and artists of the golden age firsthand. He combined their anecdotes with his own evaluations as a reader and as an artist to produce an engaging overview of the early days of comic books.
This was another volume that was ubiquitous in most bookstores for most of the 1970s. This was well before there was any kind of graphic novel or manga sections, when any and all books on comics would be racked in a ghetto area of the humor section. And I bought it, of course, for the chapters on the classic DC heroes, and like with THE GREAT COMIC BOOK HEROES, I didn't even read the segments on the Marvel characters (nor those on newspaper comic strips and pulp fiction magazines) my first few times through.
For the most part, the STERANKO HISTORY was illustrated with reproductions of classic, vintage comic book covers. I used to stare at those covers, wondering about the stories that lay behind them, and making up my own. And the Timely/Marvel covers were no less alluring--especially since many of them, from the wartime period, were illustrated by Alex Schomburg. Schomburg was the king of World War Two propaganda-style covers, in which American super heroes (often drawn at colossal size) would be decimating hundreds of tanks and planes and fanged oriental stereotypes and bug-eyed aryan soldiers. There were no more brutally action-packed covers in the 1940s than those of the Timely/Marvel group.
So after reading the three Timely-Era stories reprinted in THE GREAT COMIC BOOK HEROES, I cracked my copy of the STERANKO HISTORY open and finally read through the sections on Captain America, the Human Torch, the Sub-Mariner and the other Timely lesser lights. And Steranko made the characters and the stories sound so interesting. I was especially enamored with the Human Torch at this point (I'd always preferred powered heroes to non-powered guys like Captain America, and Namor played almost like a villain in the one story of his that I'd read.)
From having read those older issues of MARVEL TEAM-UP with Mister Fantastic in them, I knew that the Human Torch was a member of the Fantastic Four. And I also knew that my local drug store had a massive bin full of comics, all of them Marvels, which made it of limited interest to me up till that point, priced at six for a buck. So I resolved, at the next opportunity, to pick up a copy of FANTASTIC FOUR or two, and see if I thought they were any good.
More later.
Tom B
I remember "So I resolved, at the next opportunity, to pick up a copy of FANTASTIC FOUR or two, and see if I thought they were any good."
And I always thought the first hit was free! My first experiment on buying a comic book was after one of my friends introduced me to the genre and to the X-men. After reading his books for a little while, I saw X-men issue 206 on the shelf of a grocery store. I plunked down the 75 cents plus tax and read that book about 47 times. What a fun memory!
Posted by bigdaddyhub2 on 2007-03-06 13:23:04
The way you describe being affected by the old Timely covers is exactly how I felt reading Marvel: Five Fabulous Decades of the World's Greatest Comics by Les Daniels.
Posted by carpbunny on 2007-03-06 14:02:43
evolving comics Now it's still wonderful to find some books about comics super heroes ( seeing Steranko's old work or, not so far on your blog Gene Colan is a dream and we are still dreaming about this kind of anthology- thanks for " The essentials ", really ), and we have in common the way of starding in front of the covers, "wondering what kind of stories that lay behind them ", I had personally the same feeling with my first issue of "Plastic Forks " by Ted Mc Keever ( never be deceived to this point - kind of stories I mean -)
you can always reply that IF I want underground I can read Fantagraphics BUT some of your readers regret some kind of EPIC editor line, it permited "Stray Toaster" by Bill Sienkwickz, can Marvel do that now ?
(no , it's not offensive )
Posted by notapotatoe on 2007-03-06 14:18:44
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About this blog: Ramblings and musings from the mind of Tom Brevoort. "It won’t be clean. It won’t be fun. It mostly won’t be coherent."
About the author: Tom Brevoort is Executive Editor for Marvel Comics, and oversees such titles as New Avengers, Civil War, and Fantastic Four.
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