Star Wars

SDCC 2014: Star Wars

Jason Aaron and John Cassaday talk about how they ended up bringing sci-fi's most epic saga back to Marvel!

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Star Wars triumphantly returns to Marvel Comics in January of 2015, spearheaded with a new ongoing series by writer Jason Aaron and artist John Cassaday. STAR WARS kicks off a brand-new tale that follows the events of “Star Wars: A New Hope” and features the entire original cast of characters who inhabit that galaxy far, far away.

Aaron and Cassaday intend to bring their formidable storytelling abilities to bear on the saga, tapping into their own Star Wars fandom as well as their combined experience as consummate comic book professionals.

Marvel.com: Jason, how did this project come about for you? What does it mean to you to be one of the creators who brings Star Wars back to Marvel? 
 
Jason Aaron: It was offered and I instantly said yes. Of course I’m super-excited about all this. As a guy who can remember seeing the original Star Wars films in the theater on their first go-round, it was a big geek-out moment.

Marvel.com: John, what about you? What does it mean for you personally to be working on this series? 

John Cassaday: Marvel contacted me not long after the agreement with Lucasfilm was finalized. They knew I was quite a fan and guessed I’d be interested. They weren’t wrong! Star Wars means a lot to me. A couple of weeks later we had a dinner meeting so I could get the specifics. For every question, they had the perfect answer. They were gonna do this right. I easily checked off my list of concerns and agreed with a big smile. It was exciting. 

Marvel.com: Jason, of all your past and current Marvel work, what do you feel will most inform your writing of STAR WARS? 
 
Jason Aaron: This is clearly different than anything I’ve done for Marvel. And what most informs it is of course the films. I want this to feel very much like a direct sequel to the original Star Wars film; in terms of tone and voice and scope and everything. 

Marvel.com: What sorts of themes do you see yourself exploring in the series? Is Star Wars about the characters or much larger things to you? 
 
Jason Aaron: Every story is about the characters, and we’ll focus on all the old favorites. There will be big moments for everyone, from Han Solo to R2-D2. But a major part of the narrative will be driven by Luke Skywalker and his journey of discovery, a journey that will decide the fate of the entire galaxy. 

Marvel.com: Okay, that said, who’s your favorite Star Wars character and why? 
 
Jason Aaron: As a kid, it was Han Solo, like pretty much every other kid I knew. But right now, I’m enjoying writing them all. I never imagined how much fun it would be to write dialogue for C-3PO.

And though it’s too soon to talk about it, yes, there will be new characters, too.

      Marvel.com: John, which of the main Star Wars characters most appeals to you visually and why? And what about the minor characters? 

      John Cassaday It’s always been Luke for me. I know Han tends to be a big fan favorite, but the “chosen one” archetypical hero is appealing to me. I also grew up on a farm in the middle of nowhere, so I’ve always had a basic connection with the longing that you see in Luke early on in the first film. I had it a bit easier, with only the one sun and all! In terms of minor characters, it’s still early in the process, so there really haven’t been any surprises yet, so we’ll see.

      Marvel.com: What’s it like working with the incredible design palette that was created for the films? Do you have any insights into what makes it all tick? 

      John Cassaday: It’s a headache and an absolute pleasure all at the same time. Getting the details together has been time consuming and tedious, but once I got going, it’s been great fun. It’s a huge gorgeous messy universe. I think with the first three films, in particular, the strange, almost junk-like approach to design was significant. They were piecing the ships and weapons together from real world items. Terrific old-school film making procedure; getting to work from a palette created by the likes of Ralph McQuarrie and Joe Johnston is an honor. 

      Marvel.com: What kind of new characters, beasts, and vehicles have you been working on for STAR WARS? 

      John Cassaday: Well, I can’t give away too much as of yet, but it’s a fun mix of what we’ve seen in the early films with a few fun surprises along the way. And then Spider-Man shows up. Ahem.

      Marvel.com: Jason, focusing on your story, what went into the decision to kick off it off immediately following the events of the first film?
       
      Jason Aaron: Because we get all the main characters still together and still finding their roles within the Rebellion. And because there are so many major beats that happen off-screen between “A New Hope” and “The Empire Strikes Back,” I’ll be looking to explore all of those beats. 

      Marvel.com: What is your favorite thing that you’ve written in issue #1 and why? 
       
      Jason Aaron: I couldn’t pick just one. The arrival of Han Solo. R2-D2 sound effects. Chewbacca in action. Vader under attack. The first time a lightsaber hums to life.   

      Marvel.com: And what does John excel at in the universe of Star Wars? 
       
      Jason Aaron: John is the world’s biggest Star Wars fan and it shows on every page of this. He’s pouring his heart into these pages, and he’s so completely devoted to making them look and feel like the movies he loved as a kid.

      Marvel.com: John, your turn; what’s it like working with Jason so far on the series?

      John Cassaday: Though I knew his name, I wasn’t very familiar with Jason’s work. Marvel sent me over some trades to read and it was clear how talented he was. We spent some time on the west coast back in March discussing storyline possibilities, so I had a good idea as to where things were going and it was very promising. But when I finally got the first script I was thrilled. He not only hit strong story beats and made it fun, but he captured these characters that I’ve known most of my life. I could hear them delivering the dialog. It was as if he had Lucas and Lawrence Kasdan over his shoulder as he wrote. Hell, I could also hear the music!

      Marvel.com: Okay, Jason; let’s bring it on home: If you had your druthers, what one element from Marvel’s past Star Wars stories would you bring back? 
       
      Jason Aaron: The giant bunny rabbit, of course.

      Can’t make it to the convention? Follow along with our live coverage at marvel.com/sdcc2014 plus keep up on our social channels for the latest news, exclusive videos, real-time announcements, image galleries, up to date schedules and more!

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      Comments

      8 comments
      WarDishy
      WarDishy

      I really do feel for readers who've been reading Dark Horse's Star Wars comics and I have a lot of respect for what they've done (and hope to dive into some in the future), but as someone who hasn't read any EU material yet, this is a great jumping on point for me without any previous canon to familiarise myself with. I'm not adverse to continuity and will gladly dig up good stories to read regardless, but this fresh start will benefit new readers.

      sbmccrea
      sbmccrea member

      Why was there no mention of the "Dawn of the Jedi" storyline DH was developing? They were forced to stop and abruptly tie some of it up since Marvel was taking which was heartbreaking. The whole "New Hope" to "Return of the Jedi" era and beyond has been beaten to death 10 times over. The best story came from "Dawn of the Jedi" since it allowed for creative freedom and the plot itself was quite captivating and interesting. Being a Star Wars fan since I was a young child I will not be reading these comics since they offer nothing of interest to me.

      Aetlaes
      Aetlaes

      Good point, Jimi. Reading everyone in the interview avoid the obvious elephant in the room (Dark Horse's take on SW) made the whole thing feel awkward. I'm not sure if there's legal reasons to avoid the subject, if not, is there a good reason to avoid it?

      Point blank: DH handled SW very well, and explored the EU very well. Name-dropping Johnston, McQuarrie, and Kasdan might get some nerd-cred, but the fact of the matter remains the shoes any Marvel SW series have to fill belong to DH.

      May the force be with you two . . .

      JimiHat
      JimiHat

      "STAR WARS kicks off a brand-new tale that follows the events of 'Star Wars: A New Hope'". You mean like the one Dark Horse has been doing? 

      pacdnaroht
      pacdnaroht member

      @WarDishy @WarDishy Agreed. it is a good jumping on point, especially with Disney's new focus on making a single-all-encompassing continuity. This is arguably the best possible moment to jump into the greater world of Star Wars fandom since Phantom Menace was released 15 years ago. I fell off and on the Star Wars bandwagon many times over the course of the 90's and 2000's. I am looking forward to getting in on the ground floor and reading/watching almost everything as it comes out (that way I won't end up with a stack of comics and books to read in addition to many TV seasons).  

      pacdnaroht
      pacdnaroht member

      @sbmccrea  Actually Marvel/Disney extended Dark Horse's contract by several months to allow them the ability to wrap titles up. Dark Horse knew this was coming since the day Disney bought Lucasfilm. I love Dark Horse a lot (some of the best Star Wars stories came from their studio) but if any stories were abruptly ended they have no one to blame but themselves.

      pacdnaroht
      pacdnaroht member

      @Aetlaes  Disney has declared everything that was in the EU to be non-canon. There is no need to reference something that "does not matter" now. This is Marvel's first big foray into the world of Star Wars in almost 30 years. They are not going to share the spotlight with a company that merely licensed the right to make comics.

      pacdnaroht
      pacdnaroht member

      @JimiHat Better, in some ways, since this series will not be burdened by anything that cam before save the films. Marvel can do anything it wants and is free to establish the new continuity as they please (of course with the Story Group's approval).